The Devils is not a movie for everyone. In fact, according to Warner Brothers, it’s not a movie for anyone.
The Devils is a 1971 drama written and directed by Ken Russel set in 17th century France chronicling the final weeks of Catholic Priest Urbain Grandier’s (Oliver Reed) life in the fortified city-state of Loudun. King Louis XIII and Cardinal Richelieu have begun plotting the destruction of all of France’s fortified cities in order to rule over them all, however, Louis XIII has made a deal with the Governor of Loudun to keep its walls standing. The Governor, recently deceased, has passed control of the city over to Grandier who is now a target of the united heads of Church and State. Louis, Richelieu, and a local Baron decide to set in action a devious plan to remove Grandier from political power by framing him for demonic possession and heresy so they can finally take control over Loudun once and for all. As wild as all this sounds, this is all loosely based on real historical events. Ken Russel based his screenplay on Aldous Huxley’s non-fiction novel, which itself is based on the 17th century Loudun possessions. The Devils is quite removed from the original source material and is very clearly a dramatized retelling of the events that transpired.
Today marks a special day in Coffee and Illithids history. A while ago, I formally asked on my Facebook page (*cough* throw me a pity like *cough*) for recommendations and I got precisely one in reply. Being the wonderful human being I am, I kept procrastinating and putting off watching it until now. I’m a butt, sorry Anthony.
Don’t Look Now is a 1973 horror-drama from British director Nicolas Roeg, a man who has directed a bunch of movies I’ve never even heard of. It stars Donald Sutherland and Julie Christie as John and Laura Baxter, two architects who are grieving the recent loss of their daughter Christine who died by drowning in a pond by their cottage. The Baxters are commissioned by a Venetian priest to help restore an old church. While in Venice Laura meets a pair of women, one who is psychic, and John begins to have odd visions and flashbacks to his daughter. The psychic while at first is warm and welcoming, eventually warns Laura that John will be in danger if he stays in the city any longer and that he must leave immediately. Odd happenings continue to happen to John and Laura the longer they stay in Venice, until John’s odd visions clearly become something more supernatural and sinister.
We’re back to our (ir)regularly scheduled program with some horror flicks! I figured I would kick things off with a bang, finally getting around to watching a film that has been heralded as one of the scariest movies ever made. Many fans (and even critics) at the very least consider [REC] to sit proudly in second place behind The Blair Witch Project for best found footage horror film, and pretty much everyone ever who has seen it has pooped themselves at least a little bit from witnessing the final 10 minutes.
[REC] is a Spanish found footage horror film about Ángela, a local news reporter and her cameraman Pablo who are filming a segment on night shift firefighters for their show While You’re Sleeping. While at the firehall, an alarm is sounded and they tag along with the emergency response team to investigate a woman trapped in an apartment. Once they reach the apartment building and investigate the old woman, they are locked and quarantined inside the building with the remaining residents by the army special forces and they begin to realize that they’re now trapped inside with a horrifying force. Residents of the building begin acting irrationally violent and cannibalistic, and as the blood flows, whatever happens to be affecting these people begins spreading to the new victims. Ángela, Pablo, and the remaining apartment dwellers need to look for any way out of the building, all while fending off the affected people and watching their numbers dwindle.
There’s something about tense dinner scenes in movies that just get to me.
The Invitation is a psychological thriller film directed by Karyn Kusama’s feature length follow-up to her incredibly divisive horror flick, Jennifer’s Body. The Invitation follows Will (Logan Marshall-Green), a man invited to the house he and his ex-wife Eden (Tammy Blanchard) used to share for a dinner party with their old circle of friends whom they haven’t seen in years. Will is obviously very uncomfortable with being at a party held by his ex-wife, but things get a little stranger when the party guests begin noticing something is off with Eden and her new husband David (Michiel Huisman). The night slowly and slowly gets stranger and stranger as Eden and David behave more and more oddly, all while Will wrestles with the painful memories of his past that have begun resurfacing.
My last post here was about Jupiter Ascending, a movie with more movie per movie than any movie before it. There was so much stuff crammed into it, you’d think that the Wachowskis siphoned the plot out from another movie to feed their beast. Having just seen Only God Forgives, I think I found the movie they took from.
I don’t mean to say that Jupiter Ascending and Only God Forgives are similar in any way shape or form. They are both movies starring actors. That’s about where the similarities end. I meant that Only God Forgives seems to have so little going on in it, Jupiter Ascending must have stolen the essence of things happening right out of the movie. This metaphor worked a lot better in my head.
Only God Forgives is Nicolas Winding Refn’s (every pretentious first year film student’s favorite director) follow up to his critically acclaimed film Drive. When Ryan Gosling and Refn teamed up for Drive, they pretty much took the movie world over for a brief period of time, and when they announced they’d be working together again on another film, they hype train was rolling ahead at full speed.
Only God Forgives is an arthouse revenge thriller about Julian (Gosling), a man who owns a Muy Thai boxing club in Bangkok which acts as a front for his family’s drug operations. His brother, Billy has been recently murdered after raping and killing a teenage girl, and when the family’s mother and matriarch of the gang, Crystal, shows up she sends Julian out to find out who killed Billy and exact revenge upon them.