Looper is the third feature length film from writer/ director Rian Johnson (Brick, The Brothers Bloom) who has been swallowed up by the Hollywood machine to direct Star Wars Episode VIII. Looper is a neat little time travel movie set in the not so distant future starring Joseph Gordon-Levitt as Joe: a Looper, a man who kills people who are sent back in time by a crime syndicate in the future. Apparently it’s super hard to dispose of a body in the future, so sending it to the past to be killed and left there is a sure fire way to keep things under wraps.
When Loopers sign up for this gig, they are on contract for 30 years which when up is when they are sent back in time to be killed by their past selves, closing the loop. If the loop doesn’t get closed neatly, the mob that hires out the Loopers will make sure both ends of the loop are closed off. Get it? Got it? Good. So, naturally, one day Joe happens to show up to perform a hit only to find himself face to face with an older version of himself (Bruce Willis) who is ready and willing to fight him. Older Joe escapes, and present day(ish) Joe has to track him down and kill him to close the loop before the mob closes it for him. (more…)
I’ve mentioned before how I work as a video store clerk, and any movie store worth it’s salt is sure to have a decently sized Criterion section. We’re lucky enough to have a sister section in our Criterion shelf dedicated to Arrow Video, a company that behaves like Criterion except they specialize in horror, sci-fi, exploitation, and cult films rather than pieces of high art. For example, films like Microwave Massacre, Society, and the entirety of Herschell Gordon Lewis’ catalogue of the macabre are available. Naturally, these films have flashy, explicit covers to grab your attention in any way possible, but out of all of them, I was drawn to a box set with a rather restrained and elegant cover. This turned out to be the Female Prisoner Scorpion Collection, a series of movies I knew nothing about at the time but after some quick Google-Fu, they shot right to the top of my to-watch list.
The Female Prisoner Scorpion films follow Nami Matsushima a.k.a Matsu the Scorpion (Meiko Kaji, later famous for Lady Snowblood), a convict in a Japanese all-women’s prison who was incarcerated for assaulting a police officer. Matsu fell in love with a narcotics officer named Sugimi who convinced her to work with him on a sting operation. Sugimi let the Yakuza catch Matsu, and let them have their way with her before using her rape as a distraction to help make his drug bust. Left bloodied, broken, and bruised, Matsu became hellbent on getting her revenge on Sugimi, and after a failed murder attempt against her former lover, she was locked away behind bars. Her hatred burns so deep however, that she’ll take any opportunity she can to escape prison, find Sugimi, and pay him back for the torture and pain she went through when he betrayed her.
I watched Face/Off for the millionth time recently, and after watching and loving Hard Boiled not too long ago I’ve been on an action movie (specifically John Woo) kick ever since.
The Killer is another one of John Woo’s Hong Kong action flicks, only released three years prior to Hard Boiled. Starring the infinitely cool Chow Yun-Fat as Ah Jong, the titular killer who falls in love with Jennie (Sally Yeh), a lounge singer whom he blinded by accident while performing a hit for the Triads. After another hit which goes awry, Jong pops up on Detective Ying’s (Danny Lee) radar.
When Ah Jong performs a final hit for an aspiring Triad boss so he can get the money needed to cure Jennie’s blindness, Ying pursues the mysterious assassin, becoming more and more obsessed with him. After the hit, Jong finds the men who sent him out are looking to terminate him, and now he must evade pursuit from both the police and his employers. Tensions rise between the police and the Triads, and many, many, many bullets are exchanged along the way. (more…)
Action movies were the first genre of movies that really captured my imagination. When I was a wee lad, explosions, gunfire, and karate chops were the quickest ways for a movie to make it’s way into my heart. Regardless of the quality of the action, let alone the rest of the movie, if there was action to be had I would eat it up. Now that I’m a little older and a lot grumpier, action movies have to earn their respect from me. I’m a lot more critical of movies than in my youth, and shit like Tak-three-n doesn’t fly with me anymore. While I still like to think I have a childlike enamoring to big explosions and loud, dumb action in movies, the execution of these juvenile films is of equal importance to me now.
Hard Boiled is a Hong Kong action flick written and directed by the legendary John Woo (The Killer, Hard Target, Mission: Impossible II, Face/Off) starring Chow Yun-Fat (Crouching Tiger Hidden Dragon) and Tony Leung (Hero). Hard Boiled is widely considered one of the greatest action movies of all time, even being inducted into the Criterion Collection because a movie where Chow Yun-Fat soars through the air blowing up a thug on a dirt bike with a well placed shotgun blast is considered to be at the same level of cinematic brilliance that Bergman’s The Seventh Seal or Kurosawa’s Seven Samurai are.
Hard Boiled follows Inspector Tequila (yes, really) played by Yun-Fat, a gritty cop from the streets tasked with taking down a local gang of Triads. Tequila is ruthless and unorthodox in his policing, butting heads with his chief whenever he’s out on a mission. Along the way, he runs into Alan (Leung), another cop who has been deep under cover with the Triads, slowly moving his way up the ranks. Together, they team up to investigate the Triad gun smuggling operation in Hong Kong. Tequila wants the Triads dead, but Alan needs to keep his cover so that he can bring them down from the inside. Tensions rise between the police and the Triads, and many, many, many bullets are exchanged along the way.
I signed up for the horror streaming service Shudder (it’s pretty much Netflix for horror fans). I was hesitant to add yet another subscription based payment to by credit card every month, but at five bucks a month, I eventually caved and signed up. What really drew me in was their selection. Being one of the few remaining video store clerks in existence I’ve witnessed the ridiculous price mark-ups that are put on old out of print horror flicks or anything being re-released by Arrow Video, and seeing titles like The Mutilator, Blood Rage, and Microwave Massacre on Shudder warmed my shrivelled horror geek heart enough to throw money their way. I’ve watched a couple movies using Shudder over the last few weeks that are worth writing about, so I’ll spare a review of Shudder itself for another post but until then, here are reviews of two of the goriest movies I’ve ever seen in my life (and they couldn’t be any more different). (more…)