I watched Face/Off for the millionth time recently, and after watching and loving Hard Boiled not too long ago I’ve been on an action movie (specifically John Woo) kick ever since.
The Killer is another one of John Woo’s Hong Kong action flicks, only released three years prior to Hard Boiled. Starring the infinitely cool Chow Yun-Fat as Ah Jong, the titular killer who falls in love with Jennie (Sally Yeh), a lounge singer whom he blinded by accident while performing a hit for the Triads. After another hit which goes awry, Jong pops up on Detective Ying’s (Danny Lee) radar.
When Ah Jong performs a final hit for an aspiring Triad boss so he can get the money needed to cure Jennie’s blindness, Ying pursues the mysterious assassin, becoming more and more obsessed with him. After the hit, Jong finds the men who sent him out are looking to terminate him, and now he must evade pursuit from both the police and his employers. Tensions rise between the police and the Triads, and many, many, many bullets are exchanged along the way. (more…)
Let’s take a break from the Halloween madness that’s been going on here on the blog and move towards adult films. No. Not, like, porn. Like, films with more mature themes than dumb slasher flicks. Okay, mature themes still sounds like porn, but I swear they aren’t porn. Just, screw it. I watched The Big Short a while ago and never wrote about it, and I saw Arrival in December. (more…)
I’m a firm believer that if you’re going to make proper art, you shouldn’t half-ass it. Sure, things will probably get screwy if an artist relentlessly pursues their vision for a project but I think all the best art is at least a little weird. You can easily tell if a film is half-assed or is the result of muddled or conflicting goals from the filmmakers, and I find it harder and harder to watch movies that are the result of handing a camera and a bunch of money to one person and letting them see their project through to the end however they see fit. Whether the film ends up good or bad, they’re almost never bland or forgettable.
Possession is a Franco-German drama/ horror film written and directed by Andrzej Żuławski starring the beautiful Isabelle Adjani and the incomparably hammy Sam Neill as Anna and Mark, a married couple going through the most extreme breakup ever committed to film.
Mark has returned home to Cold War era Berlin, West Germany from a business trip to find his wife Anna wanting a divorce. Her behavior has become somewhat erratic and hysterical recently, and Mark finds out that she has been cheating on him with a man named Heinrich (played by Heinz Bennent, a German more Udo Kier-y than Udo Kier). In shock and stricken with grief, Mark dives deep into a rabbit hole trying to investigate Anna’s alternate life to figure out why she would betray him so, and if they could ever reconcile their love. The further he digs into Anna’s affairs, the more sinister and disturbing things he finds out about her, leading to the discovery that perhaps something evil is driving Anna to have these new, depraved desires. (more…)
Whoops, I guess I lied when I said I won’t be going to a theater anytime soon. Turns out I’ll be going out to the movies more times in December than I have all year. My family makes a tradition of going out to watch a movie on Christmas Day, and this year we were torn, so we all got together and watched the trailers for a handful of new releases and then voted on which we’d want to watch. The options were Sing, Moana, Lion, and La La Land. Based on the title of this post, I’m sure you’re smart enough to deduce what we ended up seeing.
La La Land is the third full length film from writer/ director Damien Chazelle. “Hmmm… Damien Chazelle, how come that name sounds kind of familiar?” I hear you say. Maybe it’s because he wrote the cartoonish Grand Piano, or the dour and intense 10 Cloverfield Lane. Maybe it’s because his last directing effort was a little movie about drumming and throwing chairs called Whiplash. Chazelle has only been on the radar for a handful of years, but apparently he’s only able to crank out the hits.
La La Land is a very simple movie with a very simple premise. Ryan Gosling plays Sebastian, a jazz pianist aspiring to own his own jazz club and keep jazz alive and thriving in the L.A. scene. Emma Stone plays Mia, an aspiring but struggling actress who is trying to navigate her way through the Hollywood minefield to make a name for herself. They meet, and fall in love. Life ensues.
It’s been a while since my last post. Between finding a new job and Pokémon GO, I haven’t had much time for anything.
Sam Raimi is one of my favorite directors, ever. Some people dismiss him as just a B-movie schlock director and lots of people hate him solely because of how Spider-Man 3 turned out, but he holds a special place in my heart. Sam Raimi comes across as a guy who just loves making movies. He’s like a demented Spielberg, focused on making movies fun and entertaining rather than just churning out cash grabs for an easy paycheque. More than a decade before 2002’s Spider Man, Raimi took a crack at the superhero genre with his first Hollywood film, 1990’s action/ comedy/ drama flick: Darkman.
Peyton Westlake (Liam Neeson) is a scientist researching synthetic skin cells to be used for skin transplants or reconstructive surgery. His cells are perfect replicas of regular skin cells except for one major flaw. If exposed to light, they only last 99 minutes before dissolving. His girlfriend, Julie Hastings (Frances McDormand) is an attorney that comes across a document that incriminates some of the city’s untouchable gangsters. Once word gets around that Hastings is keeping the letter hidden, mob leader Durant (Larry Drake) and his goons go looking for it and find it in Westlakes’ lab. After finding it, Durant disfigures Westlake before blowing up him and his lab. Left for dead and transformed into a hideous monster or a person, the scientist formerly known as Westlake goes on a roaring rampage of revenge, using his scientific knowledge to help him destroy everyone who was a part of ruining his life all while trying to reunite with the love of his life.