Enemy (2013)

Enemy (2013)

Enemy is a psychological thriller/ mystery film directed by Denis Villeneuve who also directed the critically acclaimed thrillers Prisoners, Incendies, and Sicario (all of which also happen to be on my to-watch list). I’m on the fence about whether or not I would call this an arthouse film or not, because it seems to straddle the line between an accessible movie that makes you think and a surrealist mindfuck. Enemy is loosely based on the book The Double by José Saramago and stars Jake Gyllenhaal as Adam Bell, a bored history professor who finds Anthony St. Claire, a small time actor who looks exactly like him. It isn’t just an uncanny resemblance. Anthony is physically identical to Adam. If you haven’t guessed it, Anthony is also played by Gyllenhaal. Adam researches and quickly becomes obsessed with Anthony, and begins interfering with Anthony’s private life trying to figure out who Anthony really is and why they appear to be the same person. Their lives become somewhat intertwined and they both need to find their way through a web of mistrust and deception to get to the bottom of it.

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The Guest (2014)

The Guest (2014)

The 1980s were a great time. Not that I would really know since I wasn’t alive back then, but if the movie output of that decade was anything to go by, it was an amazing era. In fact, everybody loves the ’80s so much, we’re trying to make the 2010’s (’10s? That doesn’t sound right.) the new ’80s. It seems that everything nowadays is a remake or renewal of an ’80s IP, or a throwback to the style and aesthetics of that decade. And while not everything can be as amazing and brilliant as last year’s totally-not-made-just-because-the-80s-are-back-in-style-and-we-love-money Jem and the Holograms movie, we are getting some pretty good media that not only captures the essence of the ’80s, but builds on it and infuses some modern flare.

The Guest is a thriller directed by Adam Wingard, the same guy who directed 2011’s amazing semi-deconstructionalist-home-invasion-meets-slasher-but-seriously-not-as-pretentious-as-that-sounds flick You’re Next. The Guest would fall into the same vein as movies like You’re Next and Nicolas Winding Refn’s Drive, a distinctly modern movie that pays tribute to the stylings of  1980s action, thriller, and horror flims.

The Guest follows the Petersons, an average American family who’s eldest son Caleb was a soldier who was killed while serving overseas. They are visited by a young man named David (Dan Stevens) who claims to be an army buddy of Caleb’s and who has been tasked by the deceased son to visit and help out the Peterson family. Once David arrives though, some unusual things (namely corpses) start cropping up in the Petersons’ lives and it becomes obvious that David isn’t everything he says he is. (more…)